It is impossible to imagine 20th-century Azerbaijani visual art without the phenomenon of Sattar Bahlulzadeh (1909–1974)—one of the most prominent representatives of modern landscape painting, known as the “bard of nature.” A legend in his own lifetime, Bahlulzadeh made an unparalleled contribution to national art. The exhibition "Sattar Bahlulzadeh: Creator of Invisible Worlds" presents to the Belarusian audience, for the first time, around 30 paintings and graphic works by the artist from the collection of the Azerbaijan National Museum of Art, showcasing the enchanting natural landscapes of his beloved homeland.
A graduate of the Azim Azimzadeh State Art School in Baku and the V.I. Surikov Moscow State Academic Art Institute, Bahlulzadeh developed a path in art that transcended the ideological constraints of his time. He dedicated his life to exploring every corner of his native land—its mountains, forests, rivers, and endless plains—not merely to depict them, but to absorb their spirit and translate it into art.
A passionate lover of nature, Bahlulzadeh did not merely record its appearance. His landscapes transcend conventional representation, becoming windows into enchanted worlds of his own creation. Crafted through harmonious blends of vivid, transparent colors, these works captivate with their poetic and philosophical essence. Through his brush, Azerbaijan is transformed into a living, breathing entity. The deep wellsprings of his artistic vision were the poetry of the great Azerbaijani writer Muhammad Fuzuli, the globally renowned Tabriz miniature style, and the centuries-old art of Azerbaijani carpet weaving. These cultural sources played a formative role in shaping Bahlulzadeh’s artistic language and creative philosophy.
Bahlulzadeh’ works elevate the viewer beyond the visible, into a realm suffused with poetic feeling. His paintings do not merely portray nature’s external beauty—they capture its inner essence. “Sattar Bahlulzadeh: Creator of Invisible Worlds” highlights the artist’s boundless imagination, his mastery of color, and his profound love for nature. Though many of the landscapes are rooted in real places, in his hands they are transformed, infused with poetic and even mystical dimensions. Rather than simply depict reality, he reimagines it through the lens of his inner world, imbuing it with emotion, intuition, and spiritual resonance.
This is what sets his work apart from traditional landscape painting: Bahlulzadeh becomes the creator of the invisible—the unseen emotions, the spirit of nature, the poetry of color. Works such as In the Blue Sky, Flowering Quince, Romantic Mountains, and Harmony of the Caucasus stand as poetic and philosophical masterpieces, each rich with symbolic meaning and singular artistry.
In landscapes like Bilgah, Blossoming Almond Tree, and Mulberry Tree, the artist masterfully captures the subtle harmony and transitions of natural color. The lush abundance of Azerbaijan’s nature is immortalized in pieces such as Lake Goygol, Mountains of Shahnabad, Landscape, and Pomegranates and Quinces, as well as in various still life and graphic works. In his drawings, the artist conveys the lyrical connection between humanity and nature through a symbolic language of fluid lines and keen observation.
A devoted lover of poetry, Bahlulzadeh was particularly inspired by Fuzuli’s melancholic lyricism and divine longing, which he fused with his own profound affection for nature. It is no coincidence that he holds a distinguished place in Azerbaijani art for his paintings and graphic works dedicated to Fuzuli and the legendary lovers from his poem Layla and Majnun. His portraits of Fuzuli and the ill-fated lovers Layla and Majnun are marked by deep philosophical insight and psychological nuance. In his depiction of the long-haired Majnun wandering the desert, the inner world of the character—his sorrow, solitude, spiritual love – is rendered with haunting intensity.
Collectively, the works presented in this exhibition reflect the rich artistic legacy of Sattar Bahlulzadeh—one of the most luminous figures in Azerbaijani art history and a continuing source of inspiration for future generations. Through this collection, viewers are offered a vivid and comprehensive understanding of the artist’s creative universe and his inimitable style.